Scott Alexander, curated
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Book Review: Programming And Metaprogramming The Human Biocomputer

Quality
67
Strong
Claude Shift
40
Moderate
RWI
1
of 10

Summary

A review of John Lilly's book - Lilly being the promising 1950s neuroscientist who invented the sensory-deprivation tank, liked it too much, moved on to dolphins and LSD (and eventually ketamine), and dissolved into 'Cosmic Coincidence Control Office' cosmology and alien contact. Scott traces the 1960s 'brain as biocomputer' metaphor taken too far (learned habits as 'programs,' the self as a 'metaprogram' that gains read/write access, enlightenment as full Turing-complete write access via deprivation + LSD), connects Lilly's account of LSD attenuating the 'external reality program' to the flattened-energy-landscape theory of psychedelics, and reports the mostly-boring research notes (he convinces himself he is flying between galaxies, then notes it is just his biocomputer). Two genuine takeaways: the hypothesis that samatha meditation is itself a form of sensory deprivation (ignoring sensation long enough to enter the deprivation state mid-world), and Lilly as a cautionary model for the current deep-learning/psychiatry-metaphor revolution. Plus the 'why were early psychedelicists so weird?' question (five hypotheses; the ketamine angle, the migraine-cured-by-ketamine story, the Solid State Entity).

Why this score

Quality 67 · Strong. Strong band (floor). Entertaining and informative on a fringe figure, with a couple of real intellectual nuggets (the meditation-as-sensory-deprivation hypothesis; the metaphor-revolution caution) that lift it slightly above his Gurdjieff review. Held at the Strong floor because it is about an obscure figure, meandering, and more curio/biography than thesis. A=67.

Claude’s paradigm shift 40 · Moderate. Moderate (low). Mostly biography and extraction; the samatha-as-deprivation hypothesis is the one fresh idea. B=40.

Real-world impact 1 · Negligible. A review of an obscure fringe figure (John Lilly); an entertaining curio/biography with a couple of intellectual nuggets but no material-world reach → RWI 1.